Gemini has the precisely opposite effect to Taurus. In this sign Venus is easily aroused, but has little or nothing physical or positive about it. It is inconstant, and always mental or ideal. People having this position of Venus are constitutionally. capable of understanding passion as ordinary men and women do. In the case of Shakespeare, for example, he is a master ofWeptunian love (Venus and Neptune are conjoined in his horoscope), as shown in “As You Like it” and “Twelfth Night” and “Midsummer Night’s Dream” rather than of the ordinary passion between man and wife. In Petrarch we have a somewhat warmer Venus, but the love is still ideal and therefore incomprehensible to the average man. One must be a poet to read Petrarch with pleasure. Where science is already elsewhere indicated as the pursuit in life, this position in Gemini comes naturally to strengthen that disposition, or at least to avoid weakening it by a counter-pull. Thus Kant, Huxley, and Herbert Spencer were undisturbed in their life’s work by the claims of love or pleasure, and all their Venus-quality was manifested on the mental plane. People with this position are never quite satisfied. “Ah but a man’s reach should exceed his grasp; or what’s a heaven for?” is a Browning quotation which they import into private life. They are often frivolous, fickle, and incapable of any but the most superficial affection. Nor is the object of affection ever single; such people are often terribly puzzled as to which of several admirers to prefer. In truth, they want none of them; they like the titillation, and would be seriously annoyed if one of their pigeons turned out a hawk as sometimes happens! The intellectuality of Gemini often enables the native to understand passion, even though he does not feel it. The examples of Shakespeare and Petrarch given above are to the point. The difficulty comes in the power of expression, for though, as Oscar Wilde observed, “genuine emotion is the root of all bad art” yet it is also the root of all good art, and its absence renders the portrayal of human character to some degree unsatisfying. In America we have an extremely satisfactory example of the attitude which we are discussing. It is that of Elbert Hubbard. He regarded the mind, or rather the mental plane, as the most real and the only important one of the planes, and his whole doctrine, being based on this assumption, finds both its strength and weakness therein. Some writer has asserted that all phenomena are but phantoms of the mind, and much of the teaching of Elbert Hubbard was very similar in this underlying assumption. This attitude is, of course, very distasteful to the average man, who regards it as evidence alike of lack of feeling and of instability of brain. The distinction between these points of view touches the emotions so closely that ill-feeling is bound to exist between people who happen to be on opposite sides of the fence. Without presuming to take sides in so embittered a controversy, or to give judgment in so delicate a dispute, one is bound to say that Gemini may be regarded as by no means sympathetic to Venus. Her presence in that sign is a limitation, for her nature is earth and water, while Gemini is pure air, and there is bitter hostility between air and earth. The effect of air upon Venus makes her dispersed and frivolous, which is a vice of Venus, whose excellence consists in form, in plasticity, in repose.